In Kiev, there lives a jazz fan Leonid Goldstein who got acquainted with Duke Ellington and lots of other luminaries. His dedication, perseverance, selfless devotion just deserve the utmost praises. Alas, Goldstein's interests are placed in the domain of mainstream instrumental jazz that usually doesn't impress me.
A sizable part of my life I mostly listened R&B, pop, rock, amateur bards. When Internet advented and we all got the access to a really unlimited pool of music created worldwide, I gradually realized that I prefer blues & jazz most of all. It is a rhythmic, oftentimes paradoxical African-American music that has a resilient spring inside. Its cryptic intrigue does not let your concern slacken and inexorably tows you like being harpooned.
I also discovered that you should not pay attention to all these classifications and terms like West-Coast Blues or Jazz Fusion, but mostly rely on your own hearing and personal innermost tuning-fork.
My digest for the eight years - entering 2016th - grown from two hundred favorite tracks up to almost three thousand ones. Maybe it would sound surprising, but while years pass by, a temp of its incrementing surely accelerates. There is a mint of copacetic records that has just been released. Moreover, many hits (absolutely indisputable when I assembled my first discs) would not get in the current tracklists. Certainly, the reason is in the drastical growth of MP3 flow. If previously "I went fishing with a rod", thus now "I'm fishing by a trawler."
Here's a fragment of my relax disk #125: The Call recorded by Julie Black (it would be a great surprise for me if someone in Ukraine is aware about this American singer). A video background was created by Ian Haft, a tiptop German cameraman. You surely guess that this Julie Black's track - that's just one small colorful fingerling in the a prodigious ocean of BLUES & JAZZ...